來自：ywsing0
時間：Tue May 27 00:27:24 2008
| 週六上課見到復課第二堂的偉文．張。出來工作一年，感覺他做人較成熟了。繼 "THE eighth/eleventh days of christmas" 而來的精警：這套莎劇是"Henry the Fifth" 而不是 "Henry five." First rehearsal: Simon Kenway was superb in first impression. Look how is he able to guide the choristers, even he has a super-weary voice. And what a great repetiteur or accompanist, undeniably he's among the best chorusmasters in this city. And I did not know Ｈ was in that group...... so I am actually bad in remembering faces!! ※ 一日HKPO, 一日CU Chorus, 差別大得真係有點感觸。情歌，包括音樂劇和老歌，其實很對我路子，怕且是兩次音樂會以來最想唱的歌。不過，如果素養未足，唱不出原本韻味，反有被糟塌之感就不好了。 我覺得唱假音唔係點幫到呢班團員，咁既聲唱乜鬼RENT, 唱帝女花咪好。唔覺得佢地get指揮示範緊乜，對好音壞音的差別也不在意。聲音中的細微分別﹑頭頂共鳴﹑鼻腔運用有必要解釋清楚。我估唔到自己幾時會聽那種尖扁的聲音聽到怕。 講起呢樣野，SK 教亨利五世教左三粒鐘，講來講去都係講點樣去打開﹑點解要打開。邊個母音要點變，邊粒音係過渡區要特別注意。唱錯的，再唱對的，知道咩叫錯就更知甚麼是對。每粒音都唔可以扁，唔可以前，要執正。（團長對我說：唱了一晚，就是不斷開大口腔﹑開大口腔。）當然兩面團員受過的訓練唔同啦，但 SK 講的野如果可以錄低係中大呢邊播一次，同佢地練一次，就好了。 爸媽妹黎緊八日去日本京都玩，六月三號返。屈指一算，呢段的日子其實晚晚都有野做：排練完表演之後去choir生日會，亦都唔駛怕悶勒...... |