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| 來自:ywsing0 | 時間:Tue Nov 18 00:35:12 2008 | | <table width=600><tr><td> | 週六聽曹秀美。 | | 週日打波。晚上細妹買了aao110, 才 HKD2230. 讓她用一會先算吧。老爸想打的回家,那的士司機很apt-get update, 提議走誰都沒聽過的尖山隧道。一條冇車的路,好鬼快,踩踩下就返到屋企勒。 | | 週一渡過人生第三次三個三年。在夜半飛馳的巴士裏,少年的多愁善感又回來。由工作至今,念頭總帶一點迷失,不知如何在世界中定位自己。廿七歲,正值年富力強,原該酬躇滿志,但,不知是否人海的衝擊大過蒼海,總覺自己交白卷,一事無成。學業算是走完一個階段,腦子懂得更多卻未必轉得靈活;從今年年頭,我的工作事業幾乎從頭開始;別的事成就也是平平,唱幾次choir兩套opera似也不代表甚麼,投資也不用提。我覺得自己開心就夠,唔駛討好別人;另一方面,我想出色,我想出位,我想威水;利我未必貪,但我愛名也說不定。嗯,倒是十年之約滿了,過得平平靜靜。 | | | ※ | | | Sumi Jo & HKPO | 200811152000@HKCC CCCH | | Pros: her breath control is perfect, she never worried running out of air. A master in piano singing, she rarely engaged in full forte; but then, the non-reverberating acoustic of this concert hall kills the effect (and I sat in right side of the balcony - I wonder how can those at the back heard anything??) | | Cons: Comparing to her big fame, Jo's voice is just small-sized, often overwhelmed by orchestra. Somehow I doubt her vocal power in a big opera house. | | I am not sure if her body is too small to support the tessituras; on every high note she bent backwards like trying to get some help. I know she isn't the only star doing this, but she was particularly noticeable. | | The best piece is perhaps "E strano" from La traviata. Climactic high Eb. Still she sounded a bit light. | | "O mio babbino caro," I've guessed it. She sang with ease... too much ease. I did not find too much funny for her show-off in doll song; perhaps I am getting too much to this piece. She looked like overdoing it. | | Good, but not as exciting as expected. In general, for this type of voice, Wu Bixia the Chinese coloratura is more preferred, a bit more purity and liveliness, a wider palette (and she did not challenge a venue as big as CCCH.) | </td></tr></table>
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