3^3

週日打波。晚上細妹買了aao110, 才 HKD2230. 讓她用一會先算吧。老爸想打的回家，那的士司機很apt-get update, 提議走誰都沒聽過的尖山隧道。一條冇車的路，好鬼快，踩踩下就返到屋企勒。

週一渡過人生第三次三個三年。在夜半飛馳的巴士裏，少年的多愁善感又回來。由工作至今，念頭總帶一點迷失，不知如何在世界中定位自己。廿七歲，正值年富力強，原該酬躇滿志，但，不知是否人海的衝擊大過蒼海，總覺自己交白卷，一事無成。學業算是走完一個階段，腦子懂得更多卻未必轉得靈活；從今年年頭，我的工作事業幾乎從頭開始；別的事成就也是平平，唱幾次choir兩套opera似也不代表甚麼，投資也不用提。我覺得自己開心就夠，唔駛討好別人；另一方面，我想出色，我想出位，我想威水；利我未必貪，但我愛名也說不定。嗯，倒是十年之約滿了，過得平平靜靜。

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Sumi Jo & HKPO
200811152000@HKCC CCCH

Pros: her breath control is perfect, she never worried running out of air. A master in piano singing, she rarely engaged in full forte; but then, the non-reverberating acoustic of this concert hall kills the effect (and I sat in right side of the balcony - I wonder how can those at the back heard anything??)

Cons: Comparing to her big fame, Jo's voice is just small-sized, often overwhelmed by orchestra. Somehow I doubt her vocal power in a big opera house.

I am not sure if her body is too small to support the tessituras; on every high note she bent backwards like trying to get some help. I know she isn't the only star doing this, but she was particularly noticeable.

The best piece is perhaps "E strano" from La traviata. Climactic high Ｅb. Still she sounded a bit light.

"O mio babbino caro," I've guessed it. She sang with ease... too much ease. I did not find too much funny for her show-off in doll song; perhaps I am getting too much to this piece. She looked like overdoing it.

Good, but not as exciting as expected. In general, for this type of voice, Wu Bixia the Chinese coloratura is more preferred, a bit more purity and liveliness, a wider palette (and she did not challenge a venue as big as CCCH.)